He also dishes nice dirt on the making of his films, some of which seemed to proceed by accident: Dustin Hoffman was to have starred in the original version of The Producersbut instead won the lead in The Graduate. The author’s anecdotes about early life in Depression-era Brooklyn are charming, as are his notes on the dawn of TV. For example, Brooks recalls how he changed his name from Melvin Kaminsky-“which would be a good name for a professor of Russian literature”-by painting his mother’s maiden name, Brookman, on the drums he played as a teenager and running out of room at “Brook,” with just enough space for the final letter. Plenty! I’ve had enough.’ ” Another is the author’s affectionate ribbing of his late wife, Anne Bancroft: “I think one of the reasons I married Anne Bancroft was the fact that her real name was Anne Italiano and, boy, could she make spaghetti.” There’s lots of delightful material, even if it’s well rehearsed. “Sid said, ‘Got enough air?’ ” Brooks recounts. One, which Johnny Carson devotees may recall, is when Sid Caesar, for whom Brooks wrote in the 1950s, held him outside a high-rise hotel window until Brooks stopped complaining about the smoke in the room. 1926) has been dining out on the anecdotes in this book for decades. ![]() ![]() The madcap director, actor, and comedian adds another arrow to his quiver with this spry memoir.īrooks (b.
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